
ESKIN "BUD" FISKE: SELECT POETRY


Our first date.
Set the scene:
The boardwalk.
That funhouse:
a maze—all Caligari walls and halls.
Bowed mirrors bestowed you breasts.
Did I look okay?
—from “Raabe the Robot & The Anaclitics”
“I WILL NOT BE YOUR ADAM WEST”
I see now the you I saw is not the you you are
self-cast in a self-hewn, ’70s sitcom hell
Well…
I will not be your Adam West
a middling, paunchy performer
with Shatnerian, stentorian, constipated cadence
blessed/cursed with a two season campy triumph
then
shunted into heavy rotation syndication
— trapped always in a cartoon camp world
of Romero/Burgess/Gorshin guest-shots
amber-cast in blue blazers, ascots, capes and cowls
Living for your sporadic cameos
Julie Newmar (or Phillips, if you must, but not MacKenzie)
to my punchy avenger of the night
Typecast for an eternity
consigned to auto shows
and girdle-bound walks-ons in burn units
and malls
low budget exploitation films—a day’s work, a career’s blight
While you bask in reflected glory
an icon to drag queens
cabaret performers
and Soho beauticians.
(In the hall the children come and go—dazzled by the auto show)
I will not see us embalmed
on Nick at Night
or TV Land
All we were bookended by scratchy commercials
not worthy of digital remastering
or even colorization
(How fat he looks…they’ll say
Tim Burton didn’t even call him…
…he and Burt Ward aren’t talking…)
Go—share your silver spoons with Halston
stagger in starlight my bimbo, bête noire
using Liza and Margaux as your walking sticks
I will soldier on, awaiting a revisionist, postmodern, noir makeover
FRAGMENT
the man with no hands
plays charades in my head and
denied the water wings of your smile
i drown in my own stream of consciousness
are we not each of us?
say you like me…really like me
like a reformed crip
expunge the graffiti you etched on my soul
don’t you see that
i am a target of opportunity
like a clerk at an all-night Dairy Mart
alone and with a register so full
and no trigger for the silent alarm
i wait, seen but not perceived
heard but not listened to
known but not known
a single malt amidst a backbar of Old Granddad
awaiting last call
FRAGMENT
Call it Ma and Pa Kettle inherit the
Bates Motel.
Ma gave me the wrong key:
A duplicate.
That’s me:
standing at Some Unspeakable Threshold
…staring slack jawed at the most amazing thing.
—from The Tedious Potluck
FRAGMENT
you: enthusiastic enabler
of my inner-child endangerment
—from “Last Lines”
FRAGMENT
Michael Apostolius said it:
“In the land of the blind,
the one-eyed man is king.”
But old Mike never tried to make
a three-cushion bank shot
on a ten foot table.
—from “Abraham, Rondo and Tor”
To Sir(han) With Love