BACKGROUND

"American Tabloid," is a 91-minute student film based on the first volume of Ellroy's "Underworld U.S.A. Trilogy." The film was written and directed by Andy Miller, a gifted young Ohio-based filmmaker.

According to Miller, the film was made for virtually no money with rented equipment. It is filmed in black and white and the soundtrack consists primarily of late '50s, early-'60s tracks from popular recording artists of the time (noteably, Frank Sinatra).

Andy Miller also portrays F.B.I. agent Ward J. Littell, a third of the triumvirate of primary characters who drive Ellroy's novel.

The filmmaker, who created his piece over a period of a year-and-a half at age 16-plus, puts it this way: "Fans of American Tabloid and James Ellroy who watch this movie have to use their imagination and take into consideration the setbacks involved in making it, and if they do, I think they will like it."

ELLROY'S WORLD REVIEW

Theatre, film...it's all about that suspension of disbelief. This no-budget film by Andy Miller, an aspiring young filmmaker in the Midwest, requires a bit more suspension than other Ellroy adaptations out there.

By Miller's own admission, his oldest performer was 19-years-old at the time of filming.

SUVs and 1990s-model cars abound.

Some of the performers appear to be wearing their fathers' suit coats.

Because the adaptation was filmed over a considerable period of time, there are some distracting continuity gaffes (for instance, the young actor portraying Pete Bondurant changes hairstyles from scene to scene).

Some of Ellroy's proper names also suffer from time to time (Bondurant, which should sound like "restaurant," is often mispronounced. Also, Ward Littell — as in kiss-and-tell — becomes Ward Little).

That said, if you go with it, it's a good ride. And, despite the inherent limitations, Miller delivers a number of powerful scenes.

Miller is most effective in staging violence: a shootout in a parking lot....a knife fight in the snow outside a homosexual night club....an execution by knife....Pete Bondurant's savage beating of Ward Littell.

Several of the young actors also effectively nail their targets. Particularly fine are Jake Legros, who makes for a youngish, brutish Pete Bondurant in the Russell Crowe mode. I was also impressed by the actor portraying Ward Littell, who, when the credits rolled, proved to be writer/director Andy Miller.

David Holmes was quite good as an oily, prissy J. Edgar Hoover.

Although the character figured less in the film than the novel, Matt Yoho was disarming as Howard Hughes. Not the drug-addled, disease-obsessed figure of Ellroy's novel, Yoho's Hughes borrows a turn from Robert De Niro in "Angel Heart": during the opening scene with Pete Bondurant, Yoho devours a whole, hardboiled egg — a metaphor for soul-eating.

Charles Son, who portrays Nestor Delsol, was also a standout.

—Craig McDonald

CREDITS

CAST

Pete Bondurant — Jake Legros

Kemper Boyd — Ryan McMullen

Ward Littell — Andy Miller

Jimmy Hoffa — Dave McMahaon

John F. Kennedy — Zack Arner

Robert Kennedy — Ian Kalmbaugh

Carlos Marcello — Roy Gordon

Barbara Jahelka — Jeannette Giamarco

Nestor Delsol — Charles Son

J. Edgar Hoover — David Holmes

Fred Turentine — Bryan Kendall

Lenny Sands  — Matt Barrows

Sam Giancana — Ryan Huffman

Guy Bannister — Matt Bey

Johnny Roselli — Justin Vinning

Howard Hughes — Matt Yoho

Laura Hughes — Kate Madsen

Graylin Lockhart — Alex Wienhardt

Alfred Guiterrez — Andy Hookman

Thomas Gordean — James Falkoff

Jack Ruby — Doug Garris

John Stanton — Aaron Slomovitz

Anton Gretzler — Jeff Mobley

Gail Hendee — Heather Clingerman

Tony "The Icepick" Innanone — Steve Hamilton

Drug Dealer #2 — Brian Maxwell

Drug Dealer #3 — Erick Odell

Drug Dealer #4 — Matt Woods

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